To date this work has taken me longer than any other. The research on the countries with the most displaced people, the background of the American quilt pattern I laid out as I would have if I were sewing, the projection of the kuffiya pattern traced and embedded into the background, the drawing of each country’s national flower and a landmark, the inking, the penciling, and the painting, all came together requiring reflection. Thank you to those who participated and shared their stories of displacement with me. You’re all an inspiration.