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Heidi Carlsen-Rogers
Flower Portrait (Orchid)
Acrylic, Gouache & Pencil on Canvas
The catalyst for the Flower Portraits came from a specific flower (Dahlia) that I came across in the summer of 2015.
Something about the color gradation and precise construction of that particular bloom made a profound connection with me.
During that interaction, I realized that there was a âpoint of beautyâ in flowers that impacts me on a deep emotional level and activated my need to capture a particular bloom with paint.
Working very intentionally with live flowers, I began studying the entire life cycle from bud to bloom to fading and withering; observing how the shapes and colors shift throughout this process.
The initial Flower Portrait paintings emerged as pared-down contour drawings over painted surfaces that represented flower-specific color studies.
Later paintings broadened in complexity and scale - painted drawings that overlapped and combined multiple viewpoints, life cycle elements and colors into a singular visual story as in Flower Portrait (Woman), 2016.
The catalyst for the Flower Portraits came from a specific flower (Dahlia) that I came across in the summer of 2015.
Something about the color gradation and precise construction of that particular bloom made a profound connection with me.
During that interaction, I realized that there was a âpoint of beautyâ in flowers that impacts me on a deep emotional level and activated my need to capture a particular bloom with paint.
Working very intentionally with live flowers, I began studying the entire life cycle from bud to bloom to fading and withering; observing how the shapes and colors shift throughout this process.
The initial Flower Portrait paintings emerged as pared-down contour drawings over painted surfaces that represented flower-specific color studies.
Later paintings broadened in complexity and scale - painted drawings that overlapped and combined multiple viewpoints, life cycle elements and colors into a singular visual story as in Flower Portrait (Woman), 2016.
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